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URANQUINTY FOLK FESTIVAL 2004 - A pilgrimage
 
I was booked to play at the Uranquinty Folk Festival three years ago and didn’t get there, due to Ansett very rudely falling out of the sky.  So this year I thought, why not have another shot at it.  Luckily this time everything went smoothly, and I arrived at Wagga Wagga airport, and was picked up and immediately asked to dinner by Allan and Heather Hunter, on the strength of my knowing Angie McGowan, one of the Jolley Hatters Morris dancers, who is a friend of theirs.  Yes, it’s a small world!  This was followed by a get-together around the campfire, with some great songs and tunes.  It was an opportunity to meet Peter O’Dea, the organiser who’d booked me, plus a few others who immediately organised a session for next day at the Quinty Bakery.
 
Next morning I was woken just after 6am by the white cockatoos on the wheat silos.  So I decided to explore Uranquinty, starting with foraging for breakfast.  Just across the road from the Pub, is a memorial to the WWII Flying Training School, at which  more than 2000 pilots were trained.  There is also a memorial to the European migrants  who were accommodated at the Uranquinty Migrant Holding Centre from 1948 to 1952.  There were about 250 babies born there, and I am one of them.
 
I joined up with Toni and H of Lost’n Found, Allan Johnston from Scotland, Warren R.White from Nevada and Peter O’Dea for a great afternoon’s songs and tunes in a converted hall which had great accoustics and excellent coffee.  We were there for  nearly five hours!  This was followed by the opening concert at the Pub, which featured Graeme Johnston - The Rhymer From Ryde, Elana Higgins and the Franklin B. Paverty Bush Band.
Next morning, having been woken again at the crack of dawn by those #@*#!! cockies, I joined in a trip to see the National Art Glass Collection at the Wagga Wagga Art Gallery.  This was a fabulous experience and a highlight of the Festival programme.  Back at the Oval, there was a concert in the open-sided marquee, the line-up being Lost n’ Found, “Spoot’less, Gael Mor, Warren R White, Blowhards, Fretwork, Alison Boyd and Elana Higgins.  I also went to a fiddle workshop run by Mary Firkins which featured a very complex Cape Breton tune.  The evening concert was held in the Uranquinty Hall, and featured Graeme Johnston, Jan Lewis, Craig and Simone, Graham Dodsworth, Elana Higgins,  Remnants, and the Franklin B Paverty Bush Band. 
 
Sunday.  Yes, I was woken again at cocky crow!  The day started with a Poet’s Breakfast and Liars Club, an Advanced Fiddle Workshop with Sarah Davies, and a Tin Whistle and Bodhran Workshop with Alison Boyd and Bill Arnett.  It was also my day for performing.  My first bracket was at the Marquee Concert, and I was made very welcome by the audience.  My set went really well, and for my encore, I was joined by Toni and H, and we did a totally unrehearsed version of “The Rosebud in June’ in 3 part harmony!
The concert also featured Dave Allaway and Di Garland, the Blue Mountains Rebel Chorus, Ian and Di Simpson, Tracey Harris, Allan Bannister and Graham Dodsworth.  Halfway through the concert, everything stopped so that we could watch the kids’ production of the ‘Man from Snowy River’.  Imagine about 20 kids all running around dressed as brumbies and a very small “Man” in a tiny Drizabone coat and stockman’s hat.  Dave Upton spoke the poetry and  there were sound effects from a boy cracking a whip!  They were great!
At 3pm,  I presented my workshop “Legends of Avalon - Tales of Glastonbury and Arthur of the Britons” at the Tennis Club, to a very positive response. 
The evening concert was at the Hall, and the line-up was Dave and Di Allaway, Blue Mountains Rebel Chorus, Alland Johnston, Warren R White, Fretwork and Elana Higgins.  It also included my third performance for the day.  After that, I could relax and enjoy all the other performers, and dine from the evening’s menu of spaghetti bolognaise, and have a well earned glass of sauvignon blanc.  The Uranquinty Pub had no champagne!!!
Monday morning, I found out why I was being woken up so early.  The 6.12 am train comes thundering through and wakes up all the cockies on the silos, who then proceed to screech for the next 15 minutes!
I was able to go out to the old Migrant Holding Centre site, and see where I was born.  Not that there’s much to see; just one old building which was a mess hall, and is now a barn, and a lot of old concrete foundations where the buildings once were.  There are also a couple of rusty old Nissen huts, and the wrecked old swimming pool, where Olympians John and Ilsa Konrads learned to swim.  It was a very emotional experience for me, knowing that my parents had been here, when they first arrived from Europe, after the war, and knowing that this was the place I was born.  It was the first time I’d been there, as I had come to Tasmania at 3 months old.
 
Back at the  Pub, the final event of the weekend was the Famous Uranquinty Chorus Cup, which was a total riot.  I can’t remember who won, but bribery and corruption play an essential part in the process!
I came away from the Festival,having had a wonderful time, heard great music and made new friends.  Thank you Uranquinty!
 
Alex Myers